da Salò Bertolotti, Gasparo Ingles & Hayday
The first documentation associated with the Gasparo Bertolotti da Salò viola is in 1934 when the instrument was with the Munich firm of Alfred Schmid. The oral tradition relates that the viola was purchased in that year by Léon E. Barzin and sold shortly after to David Kates. Barzin was the principal violist for the New York Philharmonic.
Busto di Gasparo da Salò Stock Photo Adobe Stock
The Gasparo is 17.5″ with a very large scroll. This viola is perfect for chamber music, but if I were a soloist or in an orchestra, I would opt for something that's smaller; playing in higher positions is a challenge on this viola. It's also a little uncomfortable if the space onstage is tight. Gasparo Da Salo Adam. Photo: public domain.
Ole Bull portrait with Gasparo da Salò violin a photo on Flickriver
Thus, in terms of Gasparo da Salò's impact, the name of Giovanni Paolo Maggini (1580-1632) should be mentioned first, who was born near Brescia in 1580 and came to the workshop of the now extremely successful and wealthy da Salò as a boy barely eight years old. There he was to remain until the age of 21, receiving an excellent education.
Viola Gasparo da Salò 42 Ioannis Apostolou, violin maker
Violist Cynthia Phelps Reflects on the Depth and Warmth of her Gasparo da Salò. For indeed the Brescian concept was elemental, efficient, and almost intuitive—yang to Cremona's yin—and remains as such to this day. And in the work of no maker does this concept manifest itself more forcefully than in Brescia's great master Gasparo.
Lapide a Gasparo da Salò Guida Salò Wiki
The Glory of Cremona: A Violin by Gasparo da Salo made in c. 1570-80 and played by Ruggiero Ricci. Violins by this maker are extremely rare, and this is pro.
Tribute to Gasparo da Salò
After his death on 14 April 1609, Gasparo da Salò was recorded as buried at a cemetery in Brescia, but the exact location of his grave is unknown. Travel tip: Salò, where Gasparo Bertolotti was born, is on the western shore of Lake Garda. Mussolini formed a short-lived republic there in 1943, but the resort recovered after the World War II to.
Renaissance Bass Viol Gasparo da Salò Marco Salerno Luthier
Gasparo da Salò, A. M. Mucchi, Editore Ulrico Hoepli, Milan (illustrated) Gasparo da Salò e la liuteria bresciana tra Rinascimento e Barocco, Flavio Dassenno and Ugo Ravasio, editors, Fondazione Civilita Vresciana, Brescia (illustrated) The Strad, 1911, B. Henderson, London, Nov 1911 (illustrated)
Renaissance Bass Viol Gasparo da Salò Marco Salerno Luthier
Labeled, 'Gasparo Da Salo in Brescia.'Back: Two-piece cut on the half slab; ornamented; double purfledTop: with double-purflingLength of back: 39.2 cmUpper bouts: 19.5 cmMiddle bouts: 13.1 cmLower bouts: 24.3 cm
Gasparo da Salò (15421609) Viola Brescia (c.1609) Musician art
Gasparo da Salò, auch Gasparo Bertolotti (* 20. Mai 1540 (in manchen Quellen auch 1542) in Polpenazze del Garda nahe Salò; † 14. April 1609 in Brescia) war ein italienischer Geigenbauer und Kontrabassist . Da Salò war der Begründer der Brescianer Schule im Geigenbau. Diese Instrumente sind konservativer im Bau als die zur gleichen Zeit in.
R322435 Gasparo da Salo. Inventore del Violino. MDXLII. MDCIX
Gasparo da Salò. Gasparo Bertolotti, conocido como Gasparo da Salò ( Salò, 20 de mayo de 1542 - Brescia, 14 de abril de 1609) fue uno de los primeros lutieres e instrumentistas expertos en contrabajo, de quien existe un muy detallado registro histórico (cerca de 100 documentos y aproximadamente 80 instrumentos originales).
Hommage à Gasparo da Salò Violin scroll, Violin, Music instruments
Gasparo da Salo is the name used by Gasparo Bertolotti (1542-1609), who was born at Salo on Lake Garda, Brescia, Italy. A dedicated craftsman, he was formerly credited with having developed the violin in the shape we now know it. Although this claim is now disproved, his instruments are nevertheless admired and venerated.
Viola baroque, after Gasparo da Salò, 16th century Brescia SCHWEIZER
When Andrea Amati and Gasparo da Salo invented the modern violin, most of the singers giving public performances were males. Famous female singers began to appear on stage in the early 1600s , and gained great popularity by the end of Stradivari's career . Therefore, the acoustic evolution from Amati to Stradivari, gradually gaining more.
da Salò Bertolotti, Gasparo Ingles & Hayday
Gasparo da Salo double bass c.1580. The oldest instrument in the Dextra collection is the magnificent Gasparo da Salò double bass made before the end of the 16th century. Known as the 'father of the double bass', Gasparo made instruments that often embody a fluid combination of several different styles of viol and violin. This bass clearly.
Gasparo Da Salo Cemetery art, World thinking day, Historical events
Liutai in Brescia: 1520-1724, Eric Blot, Eric Blot Edizioni, Cremona (illustrated) W. E. Hill & Sons Photographic Archive (illustrated) MORE BY Gasparo Bertolotti 'da Salò'. MORE FROM Brescia. Back: Two-pieceScroll: from another violin by the same makerLength of back: 35.8 cmUpper bouts: 16.15 cmMiddle bouts: 11 cmLower bouts: 20.2 cm.
Hommage à Gasparo da Salò Upright bass, Bass guitar, Instruments
Violin maker. (1540 - 1609) Gasparo Bertolotti 'da Salò' was one of the greatest Brescian makers. He was born into a family of musicians in da Salò and played the violin himself. The details of his training are unclear, but we know that soon after 1562 he moved to Brescia, where he established a successful violin making business lasting.
statue of gasparo da salo, salo, lake garda, italy Stock Photo Alamy
Dragonetti's Gasparo da Salò along with a comparison diagram showing its outline (black) and basses by Kennedy (green) and Panormo (red) It seems that Dragonetti approached Panormo to make basses in the style of his Gasparo, but Panormo was determined to stick with his own preference for the Stradivari model. In the end the two were merged.